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Unknown Mortal Orchestra
August 3, 2015 @ 7:00 pm - 11:00 pm| $15
In many ways, the album is Nielson’s reckoning with and reinterpretation of the promise of the ’60s. Have the ideals from that period of searching optimism, and the corresponding progress towards more fulfilling relationships and a more just society, truly been been met, or as Nielson believes, are we all still searching? Viewed through the prism of today’s progress (or
lack thereof), Multi-Love speaks to a more complicated and tricky view of love, enlightenment and racial harmony. “Puzzles” literally begins with what sounds like windows shattering and
someone sweeping up the pieces of broken glass, an indictment of recent racial tension in Ferguson and elsewhere that show a country off course. “I was listening a lot to Stand by Sly and the Family Stone, obsessing over the lyrics of this multi-racial band and all these different people coming together to make music” says Nielson. “I thought we were getting better. We’ve had these better ideas of ourselves for decades, but how much have things really changed?” This was also a family affair. His brother, a drummer and former bandmate in Flying Nun punk band The Mint Chicks, as well as his father, a trumpet player who had set a hedonistic example during his childhood, make guest appearances. The song “Necessary Evil” (Transform into the animal you need to / Fly from a destiny infested with chemicals) references Nielson’s
shared affinity for a hard-partying lifestyle with his father. Revisiting old relationships and loves, reconnecting with family, reinventing your artistic process: what might seem like a series
of painful processes liberated Nielson. It’s tricky raw material to fashion into something more buoyant and illuminating. He just hopes the searching and reevaluating help others take stock of their own connections and achieve catharsis